When Women Weren't Funny…

Proposed cover for interactive book

On the heels of converting analog photographs (from original negatives), newspaper reviews and press, and all manner of Femprov ephemera into 21st century digital versions, it seems logical to  honor the collection with a new-fangled interactive iBook. The process is ongoing and this blog works as a gathering place for our dear gaggle of gals to hash out the facts, aggregate the memories, celebrate accomplishments, illuminate the times for those less fortunate to have lived through that wild and wooly frontier. The outcome from the collective Femprov-mind will inform and build the final publication… and dispel the doom of repeating the past.

Honored to be Honoring Barbara Scott

An improviser for over 25 years, Barbara Scott is a member of BATS Improv and a founding member of True Fiction Magazine. She has led master improv classes at Stanford University, BATS Improv, Full Circle Productions, the AFTRA Conservatory, SF Opera Center, Dell’Arte School of Physical Theatre, The Funny Women Fest in Chicago, and at many international improv festivals.

This exceptional career, in addition to her specialization in and work with song improvisation and her incredible skills as a performer, makes Barbara Scott the San Francisco Improv Festival’s first-ever OCIC Award recipient.
The OCIC Award is the San Francisco Improv Festival’s annual recognition for outstanding achievement in improvisational theater. OCIC awardees participate in an evening celebrating their work in improvisational theater after an awards presentation during the San Francisco Improv Festival, held every August at the Eureka Theater.  This years’ line-up included surprise guests that have worked with Barbara throughout her career including Femprov and Tonal Chaos as well as interviewer & improv aficionado William Hall (BATS Improv, Fratelli Bologna).

—From the SF Improv Festival

Backstage at the Eureka Theatre waiting to surprise Barbara and improvise our This is Your Life slideshow
left to right: Pat Daniels, Debi Durst, Sandee Althouse, Terry Sand, Jeannene Hansen

All Together Now

Every member of Femprov ever.
Top Row: Carol Roberts, Teresa Roberts, Barbara Scott, Terry Sand, Debi Durst, Linda Hill
Bottom Row: Sandee Althouse, Pat Daniels, Jeannene Hansen, Denise Schultz, Susan Healy

Femprov always had a revolving roster that snagged most of the best improvisational talent residing in the Bay Area. Solo careers beckoned and the group grew and shrank depending on availability for a myriad of performing dates and bookings. Starting with founding members Terry, Susan, Teresa and Pat, Carol was invited to join in the fun with the founders. Jeannene graduated from official photographer to performing member. Susan and Carol were having their successes with stand-up bookings, so Linda Hill joined the group to help out and shortly found her own solo career blossoming. Debi Durst, Barbara Scott and Denise Schultz ably filled the gaps left in the group from departures to LA and points beyond. Sandee Althouse was a staple of the line-up near the end, and some still blame her for Femprov's premature demise. Kidding!

Mirth • Music • Memories

Barbara Scott narrates a Femprov slideshow

Old friends showed up to pay respects and play

Other improvisor friends join Femprov to perform Concerto at Denise's Celebration

John Elk directs Concerto

More remembrances from friends and family @
rememberingdenise.blogspot.com

Her laughter always filled the room

Denise Schultz-Sharkey
9/27/1955 - 3/4/2008

There was no better sound than her knowing laugh. The one that let you know she thought whatever you were saying was funny, which coming from her was no faint praise. She knew her funny. The same laugh, which also signaled she knew where you were going with 'it', you could hear coming with her breath, just a nanosecond before the laughter left her throat and hit your ears. She always got the joke, even the feeble or unformed ones. Years of improv had trained her to anticipate it at the threshold, before it dashed through the door and caught you unawares. Actually her talent was inherent. Improv may have honed the quick wit she was blessed with, but her level of skill was certainly natural born. To put an even finer point on it, most of the time, she probably knew the punchline of my stories before I did... and had a capper ready, to plop like a cherry on top! Quite a gracious fit for an improviser, waiting politely for your delivery, so she could counter with her own perfected bon mot. What a thrill she was to work with, what a joy that she was just as giving off stage. Here's the thing, most performers are a bit self-centered & selfish. (a bit?) It's part of the job description. Denise was above all that. Not only did she have funny down cold, but she coaxed the funny out of you in that playful way of hers. She was always up for a little of the old back and forth, the wordplay, even a sarcastic remark or two. (or two?) All in the service of letting the big laughs rip and fill the room. Denise was always my best audience and I flatter myself to think I truly tickled her with my silliness from time to time. I know the music of her giggle, her throaty guffaw, and even the supportive snicker will not fade away soon. I hold them too dear.

- Jeannene Hansen, fellow improviser, friend and cohort

More remembrances from friends and family @

rememberingdenise.blogspot.com

Never Say Never

Noe Valley Ministry, post final show
Barbara Scott, Pat Daniels, Debi Durst, Jeannene Hansen, Terry Sand, Denise Schultz, Sandee Althouse

The very last show (or so we thought) at the Noe Valley Ministry was a very happy affair and a great show. Bittersweet, but time to hang up our mantle of 'longest running improv group in the City' at our peak. Seven years after the very beginning…

San Francisco's Femprov plays O.T. Price's Sunday night.

Femprov Comedy troupe relies on improvisation 

by Jamie S. Cackler • Santa Cruz Sentinel

"We very seldom let the audience get the best of us," says Jeannene Hansen of Femprov. The six-member, all-female improvisational comedy troupe plays the dangerous improv game of letting the audience call the shots.

They get a skit going then ask the audience to name a situation, an emotion or some unlikely twist for the plot to take. "We ask them to name a position, and there's always some bozo who thinks he's really funny and yells out 'missionary,'" Hansen said. "So one of us will drop down and start praying." 

After nearly seven years, it's probably as much experience as quick thinking that rescues the band of women from such audience-generated jams.
Femprov, which performs at O.T. Price's Comedy Night Sunday, began in 1979 when San Francisco's Holy City Zoo began its "Women's Comedy Night." The threesome of Susan Healy, Teresa Roberts and Terry Sand soon grew to six. After a few personnel changes the group stabilized with six members, now including cofounder Sand, Pat Daniels, Debi Durst, Hansen, Denise Schultz and Barbara Scott a former member of the popular Screaming Memes.

Though all female, "we never intended to be a feminist or separatist —believe me," Scott said.
"It's female humor just because it's females doing it. It's just an image when we walk on stage," said Hansen adding "We thought about adding a token guy, but then we'd have to change our name."

Still Hansen said, members of the audience see what they want to see. "We get women who want us to be right-on sisters. They take that away from the show. They get what they want out of it." On the other hand, she said, "Some guys come to see T&A, see some girls jumpin' around on the stage. Everyone interprets it differently."
Occasionally, Scott said they run into groups of people who make very wrong assumptions. "For instance, at one show there was this group of men who assumed that we were all lesbians, because we were all women working together," Scott said.
"Which is totally incorrect," chimed in Debi Durst, the wife of SF comic Will Durst.
"We asked the audience to name character relationships for a game and the men called out "Two women loving each other," Scott said. "You can always get a laugh out of a dirty joke or sexual reference, but we try to put ourselves beyond that."

Although there are six of them, a typical show includes only four at a time. "It's better that way, because we can accept more gigs, and each member gets more stage time. And every time you see the show it's different," Scott said.
The women claim there is no real leader among the revolving cast. "It's ensemble work —we each think everyone of us is funny," Scott said.
"That's what's so fun about watching us perform. If you get tired of watching one of us, you can just switch channels," Hansen added.

The flow of the show is influenced as much by who's in it as it is by the collective intellectual makeup of the audience and by what mood the performers are in.
"If the audience gives us dorky suggestions, they get a dorky show," Hansen said. "Sometimes, in a place like Santa Cruz, we get a sophisticated audience that wants a lot of political stuff. Others want a real dorky show. We can go either way."

While the nature of the act is flexible, there are some places it doesn't work as well. Television and northern Germany, for instance. 
Hansen said Femprov has appeared on some local television spots, and on a broadcast benefit telethon. Not a raving success, though. "Improv doesn't translate well on television. You can't see what's really going on. It's like magic —that doesn't work well on TV either," Hansen said.

As for Germany, Scott and Hansen toured Europe last year and managed to book a couple of shows in a Northern German town. "Jeannene and I took a couple of chances. It was very interesting, but we had to talk very slowly, it's slowed us down and that's not the nature of improv," Scott said.
And there were problems other than language. "We do this thing called an emo freeze," Hansen said "We freeze in the middle of a scene and ask the audience for an emotion. We found out that the people in northern Germany don't talk about their emotions, and that part of the act got dropped rather quickly."

O.T, Price's Entertainment roster • August 13, 1986

Femprov, the Bay Area's longest running improvisational comedy group, play tonight in Pleasanton.

Femprov all female all funny 

by Sally Tockey • San Ramon Valley Herald

The jokes are on them. That's what makes Femprov what they are: five funny females who stand up to laughs wherever, whenever, however.

Don't misunderstand. Femprov's hardly a quintet of feminists waiting to snatch a chuckle, a cheer or a crowing with a routine about men. "We're just funny women who are out for the laughs,” says Terry Sand spokesman for the comediennes “Someone else can burn our bras.” Femprov, instead, relies on improvisation — a think-fast act-fast extemporaneous performing art. 

It works this way. 

Someone in the audience yells out a suggestion for a scene: two people meeting at an airport and they're angry or they're depressed or they’re…

"The audience keeps throwing out more emotions and we go from there …well, it's hard to explain the game," says Terry who met her comedic counterparts at an improvisational workshop in the City.

They —Terry, Susan Healy and Teresa Roberts —became Femprov when the Holy City Zoo nightclub started offering Women's Nights for both novice and established laugh collectors.

Now four years old and two members stronger, the quintet book regularly many Wednesdays at Cobb's pub in San Francisco's Marina District. Their resume also shows performances at the Venetian room in the Fairmont Hotel, the Great American Music Hall, the Women's Building, the San Francisco Jewish Community Center, Allen's Alley at the Boarding House.

Such television credits as the KGO Channel 7 Cerebral Palsy Telethon, Cable six presentation of “Women of the 80s" and “Womanvision,” a pilot project filmed by Alan Springer Associates, also greatly please their groupies. "I call them from Femprov junkies," reports Terry. "They've got to get their laughs in." 

She says the female funnies, who all live in the City, always present a family-hour show sans the four-letter words widely practiced by others.

Their props—glasses, hats and facial expressions—simply supplement the routines practiced by the five, who are all close friends as well as coworkers. 

Terry laughs when questioned about their income. 

"Oh sure, we've made enough to put several illegitimate children through college… but we also all have to supplement our income with comedy."

Choosing a comedy career has other drawbacks, too. 

Late nights, shows on the road, the constant demand to "say something funny" may slow Femprov down a titch, but not for long. And there's always something humorous in those situations.

Like the time they played in Ukiah on the promise of room and board plus money. "Well, we thought we were going to be staying at the Holiday Inn or something like that," Terry relates. "But no, they took us to a nice place with an area for meditation and we slept there on couches. 

“The next morning when we walked outside we saw women and kids doing tai chi —naked. The place was a nudist colony."

Luckily, Femprov faces few worries about comedians block, when witty words disappear. They support one another with a line, and expression, something that breaks through the dreaded total blank.

"And will probably be performing till were 90 years old or 70 or 60 with people saying 'poor women! Why don't they stop!"

The goofy gals (from left, top) Jeannene Hansen, Terry Sand, Debi Durst, and Pat Daniels.
Out getting lunch at photo session time: Denise Schultz and pianist Jim Cox

Funny Femprov Forming Fan Following
Richard Friedman • 3rd Annual All-Pro Comedy Show • Pleasanton

Egads, what is this? An all women's improvisational comedy group? Sure, sure. And Nancy Reagan's getting a pink mohawk, the LA Lakers will draft Dudley Moore and former Pleasanton mayor Ed Kinny will arm wrestle Ben Davidson for a Miller Light.

But yes, dear skeptics, it's true. Femprov may sound like a vitamin supplement, but what this group has bottled is laughter. Jeannene Hansen, Debi Durst, Pat Daniels, and Denise Schultz form the area's longest-running improv team.

Don't, however, get the idea they'll be parading the stage with their copies of Ms. Magazine or tossing their bras into the crowd (heaven for bid!).
"We're just women being funny," says Hansen, who started out as the troupe's photographer in 1979. "I don't think it matters that we're all women. We don't try to be feminists."

When Femprov began, other improv groups typically featured women only as tokens. So… a few formed Femprov and fortified the feelings females are funny.
"Someone said, 'Gosh, we should do this ourselves,'" says Hansen. "We thought it's a crazy idea, but it just might work. We called it Femprov and figured, 'That'll keep people away.'"
Hansen and the group pondered other names, Broad Humor and Funny Ladies, but the original tag has become a brand of their type of humor.

Whatever the name, the acid-tongued cynics lined up to criticize the gals. "We got bad-mouthed a lot" recalls Hansen "It was "Women? Doing improv? Hang 'em! Yeah we got badmouthed, usually by men, which, I think is one reason why we stuck together for so long."
If the group broke up after four years, she adds, "there would still be a lot of people saying, 'I knew they wouldn't make it.'" Not that there haven't been moments when Hansen contemplated other lines of employment. "There have been times when we'd be performing for very small audiences and end up getting six bucks apiece and for a moment I'd think "Is it all worth it?" Then we'd have a great show and then I'd think 'Well I'm proud to be in Femprov.'"

Never, she says, has there been a problem being a Group Without Man: "Sometimes, when we bring a male in, they just assume they're going to take over. On our anniversary show, there was a lot of sexist stuff flying around. It was, 'Go to the kitchen and make something'".

People are people, however, and personality conflicts do arise within Femprov.
"If there have been conflicts," says Hansen, "they haven't been on stage. We definitely argue, but it's always been for the good of the group. We definitely listen to each other's problems."
In five years performing, there naturally have been some memorable moments. Few, says Hansen, compare to a Ukiah performance: "We were put up there, woke up the next morning and realized it was a nudist colony." The show (Behind Clothes Drawers?) went on.

Femprov usually performs every other Wednesday at Cobb's Pub in San Francisco's Marina District, every 19th Thursday at The Other Cafe comedy club in the City, and every 31st Sunday at Tony's Muffler Repair in Redwood City. 

And, rain or shine, they'll be singing their way into everyone's heart. Even if, grins Hansen "some people in the group can't sing. We let them anyway. It makes it that much funnier." Is it Memorex or is it Femprov?

Femprov, an all-woman improvisation group consists of Debbie Durst, Terry Sand (with fish)
Pat Daniels (with fan) and Jeannene Hansen (hat). Denise Schultz is not pictured.

A woman's touch: 
all female improvisational group one-of-a-kind 

by Lynn Carey • Contra Costa Times 

It's pathos, compassion and pity. It's joy, sadness and lust. And it's all experienced within a matter of seconds on any stage you find Femprov.

The only all woman improvisational group in Northern California, Femprov began out of frustration in 1979. Very few females were used in comedy groups at the time, and Susan Healy, Teresa Roberts and Terry Sand who met in an improvisational comedy workshop decided to form Femprov after San Francisco's Holy City Zoo began "women's nights".
"Women's Night" didn't last, but Femprov did. Other members joined, some left, and the group now consists of five women in their early 30s who perform weekly together —without problems.

The name of the group was a problem at first. "We always figured people would think we were castrating bitches, or gay women's comedy," said Jeannene Hansen who is a four year veteran of Femprov. "We thought of changing the name to Broad Humor or something, but now we’ve got some momentum with the name so will keep it."

Other current members of the group our founding member Terry Sand, who also teaches improvisational comedy at the Jewish Community Center (she was also the first miss Haight  Ashbury); Pat Daniels, the only member of the group who has a “real” daytime job, as a cytologist (she used to run a joke writing service with then-husband John Cantu); Denise Schultz, who is also a waitress in the Financial District and a member of Comedy Underground, an improv group that performs at the Punchline; and Debi Durst also a member of Comedy Underground. The wife of Will Durst, who won the 1983 San Francisco international Stand-up Comedy Competition, Debi is the only Femprovette who is currently married. 

Since all the women in the group are attractive, witty and obviously extremely intelligent, it would be assumed that man lineup outside the stage door after a performance.
"Would that it were true," sighed Hansen with a chuckle. "Sometimes the guys that do come backstage try to be funnier than us. It isn't effective and I'm sure they feel like jerks."
Hansen got her first taste of comedy when she attended a workshop with a friend. "I was so frightened of performing onstage, though I had a few drama classes in high school. But I got up and said something, it got a laugh and I was hooked."

Hansen supports her Femprov habit with photography and stand-up comedy (she appears solo at the Other Café the Holy City Zoo and the Punchline) "I want to be a really strong standup comic, but from my point of view it's not as rewarding as improv. There's a real bond in creating something out of nothing. You can look at the person who's performing with you in the eye and signal ‘yes, let's go with it.’ There's a real freedom in that."

Femprov does about 10 sketches based on ideas from the audience. For example, at Cobb's Pub in the Marina a few weeks ago, they were asked to be sisters vacationing in Tahiti, and the audience kept suggesting a new emotion for them to play. During another skit, the two characters onstage kept freezing while the audience yelled out another movie director.